DEGREE– |
—— PhD —— |
|
|
TITLE– |
—— Professor —— |
|
EMAIL– |
—— chenli339@bfsu.edu.cn —— |
|
TEACHING– |
—— English Argumentative Writing, English-Chinese Translation, Irish Literature, Contemporary Irish Fiction —— |
—— RESEARCH– —— |
—— 20th-Century British and Irish literature —— |
—— WORK– EXPERIENCE– —— |
——
—— |
—— EDUCATION– —— |
—— 2014- : Beijing Foreign Studies University —— 2004-2007: PLA Foreign Languages University, PhD —— 1997-2000: PLA Foreign Languages University,MA —— 1993-1997: PLA Foreign Languages University, BA —— |
—— ACADEMIC– TITLES– —— |
—— Member of China Association for the Study of Foreign Literatures —— Member of International Association for the Study of Irish Literatures (IASIL) —— Member of the Irish Studies Network in China (ISNC) —— |
|
—— OVERSEAS– EXPERIENCE– —— |
—— 2017.8-2018.8: Fulbright Visiting Researcher to Boston College, USA —— |
|
—— PUBLICATIONS– ——
|
—— 2016: Irish Literary Revival and National Self-Fashioning. Tianjin: Nankai UP —— 2014: Mappings: Feminism and the Cultural Geographics of Encounter, Susan Friedman, trans. by CHEN Li, Naijing: Yilin —— 2009: The Rose Upon the Rood of Time: 20th-Century Irish Big House Novel, Shanghai: Fudan UP—— —— 2017.8 “Irish Literature in 2016,” New Perspectives on World Literature —— 2017.1 “Mapping the Self in John McGahern’s Amongst Women,”Contemporary Foreign Literatures —— 2017. 1 “Brave New World Revisited in 2016,” Foreign Literature —— 2015. 12 “Mapping the Future of Academic Feminism: a Review of Mappings: Feminism and the Cultural Geographies of Encounter. Foreign Literature. —— 2013.11: “Modern Revival and Appropriation of Cuchulain”, Foreign Literatures Quarterly —— 2013. 8: “J. M. Synge and the Western Ireland”, Foreign Literature Review (Quarterly) —— 2013.1: “Irish Literary Renaissance”, Foreign Literature —— |
|
—— RESEARCH– PROJECTS– —— |
—— 2016-2020: “A Study of Contemporary Irish Fiction from the Spatial Perspective.” National Social Sciences Fund (Regular Project) —— 2009-2012: “Irish Literary Renaissance and National Self-Fashioning”, National Social Sciences Fund (Youth Project) —— 2016-2018: “John McGahern and his Fiction”, Fundamental Research Funds for the Central Universities —— |
|
—— AWARDS– &– HONOURS– —— |
—— Best Teachers for Undergraduates (2016, 2017) —— |
|
—— INVITED– LECTURES– ——– |
—— 2016-2-24:“Cuchulain and the Politics of Cultural Production,” UCD School of English, Drama and Film —— 2016-2-25: “Cultural Politics of Ancient Heritage: Ireland and China,” UCD School of Art History and Cultural Policy —— |
|
—— KEYNOTE– SPEECHES– ——– |
—— 2016-11-12: “Brian Friel and Irish Theatrical Tradition”, Commemorating Brian Friel: A Literary Salon on Contemporary Irish Drama. School of Foreign Languages at Shanghai Normal University —— 2016-11-13: “Revival Heritage in Irish Literature”, Foreign Literature Seminar: Irish Literature and Culture, School of Foreign Languages at Shanghai University of International Business and Economics. —— 2016-5-27,Mapping the Self in John McGahern’s Amongst Women. Post-Crash Irish Literature and Culture: Its Emergence and Influence,the Chinese University of Hong Kong —— |
|
—— MEDIA– INTERVIEWS– ——– |
—— July 15,2012, “Why is Ireland?” Qianjiang Evening News —— |
|